Contemporary miniature · Lahore, Pakistan

Amna
Manzoor

آمنہ منظور

Works in gouache and ink that turn threads, knots, ruptures and repeated marks into meditations on selfhood and human relationships.

The Emotional Reparation III, 2019. Gouache on wasli by Amna Manzoor — red blossoms joined to a dense web of pale strands on a dark ground.
The Emotional Reparation III 2019 · Gouache on wasli · 20.5 × 13 in View work

The practice

Amna Manzoor is a Lahore-based visual artist whose works trace how inner states gather, strain and change over time — one fine line at a time.

Trained in miniature painting at the National College of Arts, Lahore, she has kept a studio practice since 2011, moving between the intimacy of wasli and the scale of canvas. She is an Assistant Professor at the School of Design and Textiles, University of Management and Technology.

Read the biography
A hand holding a fine brush paints pale thread-like lines on a dark surface
In the studio — building a field of lines with a fine brush.

Process

One line,
then the next.

Amna paints in gouache and ink on wasli — the layered, burnished handmade paper of the miniature tradition — and on Arches paper and canvas. Each surface is built through repetition, until threads, knots and webs appear.

Practice
Since 2011
Grounds
Wasli, Arches, canvas
Scale
4 × 10 in to 6 × 6 ft
Throughout most of her practice, Manzoor has employed the silk thread as a metaphor.
Numair A. Abbasi, Dawn, January 2021 On Bood o Nabood →
Portrait of Amna Manzoor

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